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Acclaim

 

 

“Everything about this recording is a success: seasoned soloists delight us, with Pascal Bertin and Monique Zanetti entirely in their element. … It was a splendid idea to give the theorbo and the viol an instrumental piece, which was current practice at the time.”

( “Classica” Award // 07-08 / 1998 Classica – France )

  

“…The theorbo is to be relished, and the viol is all one could wish.

( “Classica” Award // 07-08 / 1998 Classica – France )

  

Monique Zanetti and Pascal Bertin, two superb and superbly matched voices, plainly share that view, relishing every expressive nuance and achieving clear diction without loosing quality of sound…  

( Gramophone - UK  09 / 2000 )

  

The instrumentalists are splendidly stylish, adding embellishment and leaning affectionately against appropriate notes…… Recording quality and annotation are first class.  

( Gramophone - UK  09 / 2000 )

  

“a beautiful spectrum of instrumental colours supports Monique Zanetti and Pascal Bertin, whose voices blend to perfection”

( Répertoire – France  03 / 2002 )

  

“with his admirably detailed textures, Yasunori Imamura does justice to Steffani’s refined and supple music, whilst sustaining dizzyingly fast-moving tempi”

( Répertoire – France  03 / 2002 )

  

“One feels that Monique Zanetti and Pascal Bertin have cultivated the healthy habit of listening to each other…The continuo is simply exquisite”

( Classica – France  03 / 2002 )

  

“Yasunori Imamura gives a most congenial performance. From the first note to the last, he engages with the music with delightfully infectious enthusiasm”

(“Sterne des Monats” Award // Fono Forum – Germany 03 / 2002)

  

“Monique Zanetti and Pascal Bertin are entirely at home in the Baroque idiom; vocally, they are everything one could wish for”

(“Sterne des Monats” Award //  Fono Forum – Germany 03 / 2002)

  

“The ensemble and the singers worked in perfect harmony...Listeners were sucked irresistibly into the whirlpool of emotions that is Baroque music”

( Basellandschaftliche Zeitung - Switzerland 10 / 2002 )

  

“Man passes away, but Music remains forever

(HNA/Göttingen - Germany 5/2005)

 

 

 

 

FONO FORUM 03/2002 Agostino STEFFANI

„Cantatas, duos and sonatas“ pc 510 131

( “Star of the Month” Prize )

 

FONS MUSICAE

Monique Zanetti, soprano     

Pascal Bertin, countertenor

Yasunori Imamura, theorbo & director

  

(Page 85)  English translation

Agostino Steffani (1654-1728) was a composer, a diplomat and a man of the Church. He was taught composition by Johann Kaspar Kerll, wrote chamber music duets for noble ladies and operas for the courts of Munich, Hanover and Düsselfdorf. He was an ambassador of the court of Hanover […] This recording offers three fascinating examples [of his miniature cantatas], which are complemented with two equally delightful solo cantatas, and with extracts from an opera composed at Düsseldorf in 1709. […] The musicians complete the duets with discreet violin ritornellos, and improvise introductions for the recitatives. This is unimpeachable from a stylistic point of view, as well as highly enjoyable. Yasunori Imamura gives a most congenial performance. From the first note to the last, he engages with the music with delightfully infectious enthusiasm. Rhythm and phrasing are clearly and confidently drawn, the affects expressed with great delicacy. Monique Zanetti and Pascal Bertin are entirely at home in the Baroque idiom; vocally, they are everything one could wish for.

Fono forum (03/2002)

 

 

 

English translation

“Love poetry by a cleric who left behind works of stunning beauty and refined sweetness. The recording, under the direction of Yasunori Imamura, of works by Agostino Steffani also leaves nothing to be desired in terms of interpretation.

 

 

 

Classica, July/August 1998

 

 

Michel Lambert (1611-1696), Airs de cour

Etcetera, KTC 1195

Ensemble « FONS MUSICAE»,

Dir. Yasunori Imamura

 

 ( Prize „Classica“)